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French revolutionary film reporters came to collect the head of Sofia Coppola after the Cannes Film Festival screening of her period drama Marie-Antoinette, which uses downbeat Cure songs and other cool anachronisms to argue that the titular queen’s removal from the throne by an angry mob was, like, you know, a total bummer.
Was there a head left to collect? Robotically reasserting her intentions at the most divisive Cannes press conference since The Brown Bunny’s, Coppola found every (...)