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LIVERPOOL audiences can be notoriously noisy during plays. Last night at the Liverpool Playhouse you could hear a pin drop.
It was that sort of production, one which caught you by the throat from the opening scene and never let you go. Obviously Arthur Miller’s All My Sons is a classic drama from the 1940s, one about personal guilt, family and business corruption.
But director Gemma Bodinetz and a superb ensemble cast gave it a real edge: you believed in these characters, both loved and (...)