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"Black Christmas" - Gag me with a cookie cutter
During its long, slow slide into jingle-bell hell, Glen Morgan’s routine remake of Bob Clark’s 1974 cult favorite "Black Christmas" turns every possible holiday icon into a weapon: snow globes, ornaments, icicles and, most appropriately, cookie cutters.
Where the first film was a seminal forerunner of early stalker classics like "Halloween," this version feels as stale as old gingerbread.
It didn’t have to be this way. Morgan and producer (...)