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Is there anything more depressing, more unpromising, more forbiddingly dire than ads proudly claiming that a given film is from the producer (or worse yet, studio) of some other film? Has there ever been a case where that boast has actually drawn in viewers, instead of instantly making them wonder whether the advertised film really has nothing more significant going for it?
Unfortunately, the credits-in-common thing really is one of the few elements the CGI kids’ film Happily N’Ever After (...)