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Jack Lemmon knows how to make an entrance. The moment he appears on the screen, something-the twinkle in his eye, the manic grace of his movement-tells us that he is a man who doesn’t quite fit in his world. Whether as the naïve policeman in Ima La Douce, Jerry and Daphne in Some Like It Hot, or Mister Roberts’ lazy and lascivious Ensign Pulver, he is the hero who either doesn’t understand or won’t accept the rules of normal behavior, a man who will need a good deal of luck, charm and (...)