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Unholy may be a first in the world of straight-to-video horror: a film that not only gets better on second viewing but actually requires it. Sam Freeman’s ingenious script lays the groundwork for one of those rare and unusual movies that contains a twist that is simultaneously completely surprising and quite plausible—the movie shifts gears in the final act in such a way that the audience is forced to reevaluate everything that has come before, and viewers who take the time to revisit (...)