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When “Bottle Shock” played at the Sundance Film Festival in January, it appeared to possess that mix so tantalizing to well-heeled indie distributors.
It had a name cast, including Bill Pullman and Alan Rickman. The director came with a track record and a critically acclaimed short film. And the story, about a small American winery that triumphed over its French competitors in a blind tasting in 1976 and changed the world’s view of California wine, was an accessible one (...)