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“The Alphabet Killer” belongs to the vague genre of supernatural thriller that puts food on the tables of young actresses like Sarah Michelle Gellar and Jessica Alba. But though the story (by Tom Malloy) advances with the usual blend of female anguish and tenacious apparitions, it’s anchored by the considerable skills of Eliza Dushku and classed up by a director (Rob Schmidt) more interested in facts than in frights.
Believably twitchy and preternaturally pallid, Ms. (...)