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The intense and continuing popularity of the long-running television show "Buffy the Vampire Slayer" (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show’s imaginative and widely varied use of music, sound and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides (...)