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Whoever takes over the directing reigns for The Hunger Games sequel Catching Fire from the recently departed Gary Ross will have to come to the table with a nimble and wide-ranging skill set. The second of Suzanne Collins’ best-selling books in the series is darker, weirder, more political, more violent, and, yes, sexier. Whoever directs its big screen adaptation will obviously need to be adept with visual effects and breakneck action sequences, but also with scenes of political (...)