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Speaking Shakespeare: Joss Whedon’s Much Ado reveals the secret to making the Bard’s lines sound modern
One of the great things — actually the greatest thing — about Joss Whedon’s film of Much Ado About Nothing is how natural it sounds. All the reviews have enthused about the capacity of a group of youngish Hollywood actors, not best-known for their classical expertise, to get their tongues around Shakespeare’s language with a minimum of apparent effort, (...)