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Joss Whedon’s Much Ado About Nothing succeeds to the degree you’re willing to accept its genial “Let’s put on a show” vibe. Shakespeare’s play is famous for its wit and romance, and Whedon’s skills with both make him a nice fit for the material, but as an actual film, the final product is only somewhat successful. Whedon shot the film in under two weeks at his house and employed a stable of actors he’s used several times over in various TV and (...)